Summer Reading, pt. 6

by Brandon

This is it. This is the end. I start back to work in two days. Students start back a week thereafter. I would lying if I said I wanted to go back to work. Let me state emphatically that I do not. This summer has been crazy busy and I don't feel like my brain has had enough time to defrag from last school year. Like it or not, though, my days of freedom are dwindling. Luckily, I have been able to read a ton of comics this summer and have been able to catalogue my new comic book experiences here for all to read on the big, bad Internet. In this last edition of summer reading, I review new books from the Batman reboot, a milestone for Savage Dragon, the awesome Unwritten, and several Star Wars books.

Captain America: Reborn #2
I know I reviewed my latest batch of Marvel books last week, but I decided to give Captain America: Reborn another shot. The first issue fell kind of flat for me for two reasons: the same two reasons this issue fell flat for me. What a coincidence? My first major reason is that I am an outsider to this title. I'm one of those people Marvel roped into buying this through the hype. I'm probably a chump for doing so, but impulse buys can sometimes pay off. I'm the type of outside person Marvel is hoping will buy this. Yet, an outsider is all I feel like. I have no real connection to the characters or events outside of the larger context that the event/non-event Dark Reign that is going on and Norman has some kind of mad-on to make sure he gets Cap first. Which brings me to my second problem. This just doesn't feel real to me. This can't really be how Marvel is bring Captain America back? It seems to out there for Brubaker's reputation. This second issue did little to clear up the mechanism of how a magic bullet is able to bring Captain America back by sticking him in time. It's weak for a return that surely have been planned from word one when they decided to kill Steve Rogers off at the end of Civil War.

Batman & Robin #2
Grant Morrison & Frank Quitely are probably the best creative team in comic books working past, present, or future. They just hit the ground running with whatever they do together, a synergy that clicks. The second issue of the new Batman & Robin series has some great character moments with just about everyone in the book. Alfred is comfortable in the mentor role and Damian is too in his role as the would be jerk. The dynamic between the new Batman and Robin is still tense. And while I think it's a bit too early to play the "Robin runs off on his own" card, it just seems to work here. The editorial bigwigs over at DC should pat themselves on the back. The Batman books haven't been this blessed with this caliber of creative talent in a long time, if ever.

Detective Comics #855
Speaking of talent on the Bat books, another one of the titles that is currently blessed is Detective Comics. While Rucka's story here is weaker than the last issue, it still plays off well. A large part of that is due to the gorgeous artwork provided by J.H. Williams III. Batwoman spent a large part of this issue tripping, which works more towards the artist's strength rather than the writer. If Morrison and Quitely are the best team, then Williams is the best stand alone artist. Each page is a joy to look at. The second feature with the Question was still "meh" for me.

Fables #85
Now back on regularly scheduled programing, this issue of Fables stands out as one of the better single-issue stories in the run thus far. That may be in large part due to following up the so-so crossover of the last few months. Mr. Dark is a menacing villain and we get a slight peak here of what he was like and where he came from. Willingham's story almost reaches new heights here, while guest penciller Jim Fern does an outstanding job of providing artwork worthy of any regular issue out of the series. This new, yet darker era for Fables looks like it is going to be fertile for new stories. Some fans wondered if Willingham was going to be able to continue to write great comics for Fables once the Adversary was out of the way. It's issues like these that prove Willingham can actually out do himself.

The Unwritten #3
Holy crap! This is the best new series on the stands now. To use an over-used baseball analogy, Mike Carey and Peter Gross are hitting the ball out of the park with every issue. This title is everything you want out of a Vertigo title. It's literary and edgy, smart and funny, mysterious and fantastical. Carey manages to keep the story of Tom Taylor dealing with his alter ego of Tommy Taylor going strong without really focusing on the fictional Tommy Taylor this issue. Instead, we get an examination of Frankenstein and a solid argument between assembled writers on why horror works. This is such a well-written series that it's hard to find fault with anything Carey and Gross have done thus far. Could this be the best book out now? Possibly, but if you haven't gotten on board yet, what's your excuse?

The Savage Dragon #150
Erik Larsen's Savage Dragon hit a milestone few independent comics ever reach with this 150th issue. It is such an achievement for him and not just in term with numbers. Savage Dragon isn't the best book on the stands. I don't think it ever will be. However, it is one of the most entertaining reading experiences a comic fans can have. The amount of zany ideas per square inch here beat out any comic book being published right now. It's hard to read a Savage Dragon comic and not catch a bit of Larsen's infectious love for this character. The title on the cover states that this issue was the biggest bargain in comic." 100 pages for $5.99? Yeah, that's awesome, especially when many Marvel and DC books cost you just two bucks less for barely 22 pages worth of story. For that, fans get a ton of extras on top of the regular story for this issue. Included here are Savage Dragon #0, Lev Gleason Publishing's Daredevil #18 (not that Daredevil), a Vanguard story, and several small strips just for fun. And I shouldn't forget the always interesting letter column. For fans old and new, this issue is great for someone wanting to scratch their comic book itch. I can promise it's not going to be the next Watchmen, but does every comic need to be? Just have fun reading this one. I did.

Conan the Cimmerian #12
I gushed last month about how awesome Conan has been since the rebooting to Conan the Cimmerian. I don't have that much to add this month in terms of praise because this book is still very entertaining. "Black Colossus" is one of those classic Robert E. Howard stories that is hard to mess up. It has everything you would want from a Conan story: love, war, and lots of kick ass art. Though I'm already familiar with the story, Truman and Giorello inject so much life into this story that is fresh once again.


Star Wars Extravaganza:
I'm going to be dorky and write a review haiku for each of these issues. It's a) something different and b) risk free because no one is reading.

Star Wars: The Clone Wars #7
So pedestrian
Can anyone make this good?
Not even the Jedi

Star Wars: Invasion #1
Based on book series
Why not follow Yoda's lead?
Please do or do not

Star Wars: Knights of the Old Republic #43
John Jackson Miller
Must Zayne always save the day?
Isn't he clumsy?

Star Wars: Legacy #38
Poor Cade Skywalker
Trapped real drunk on Tatooine
Look, bounty hunter
Read more!

Shout Outs! and Scream Ats! San Diego Edition

by Matt


Welcome to a special San Diego Comic-Con edition of "Shout Outs/Scream Ats!” This edition will be a little different, I will be only looking at announcements from the big comic con that make me all giddy. (Shout Outs!) Like Marvelman, Mike Allred, Bone and more!!

There were quite a few announcements that were made at San Diego that excited me. Here are the ones that stand out the most to me and are in no particular order.

SHOUT OUT! Kurt Busiek’s American Gothic!
Busiek described this series as "set in the United States. It’s contemporary fantasy, urban fantasy, historical fantasy.” He continued to describe his series of having stories like a girl in Rhode Island who discovers Thor is living in exile on a nearby island; and the story of a washed up cooking host searching for the perfect burger, who ends up in the borderlands of hell. I feel like I am missing reading something like this and it looks like this will scratch that itch!

SHOUT OUT! New Bone books!
This had to the announcement that surprised and excited me the most. Jeff Smith is back on Bone! He is creating new Bone projects with writer Tom Sniegoski, including Bone: Tall Tales (featuring Smiley and Bartleby!) and three new prose novels set in the Bone universe. One of my favorite characters, Roderick will appear in these new books. I cannot wait for this!










SHOUT OUT! Marvelman!
I had a feeling this was going to be the major announcement Marvel had up their sleeve when Joe Quesada started to tease it via Twitter. And I couldn't be more pleased, finally an announcement that lived up to the hype. Miracleman has been one of the few remaining "Must Read" comics that I have not read and I am really hoping that Marvel will put out a reasonably priced (please no expensive hardcovers!) reprint so I can finally see what the hubbub was. I also hope that Neil Gaiman will come back to finish off what he started so many years ago. What I do fear is that Miracleman is not integrated into the Marvel Universe, I would prefer that the character is kept separate from the main Marvel Universe and I definitely don't want to see Miracleman given to Bendis or Loeb or really any other creator. Just get Gaiman and one of the original artists (Buckingham, Davis) to finish what they started and not something new. And since I am being really picky about it, I like the name Miracleman over Marvelman and hope they keep it Miracleman. But if the only way I can get my hands on the reprints is if they make it Marvelman, I'll still get it.


SHOUT OUT! New Cyberforce series!
Cyberforce was my favorite property when Image debuted over sixteen years ago. Wait a sec, SIXTEEN years ago? Good gravy, I remember picking up the first issue like it was yesterday. There is no way that it came out that long ago! Sure enough, it came out in October of 1992. Man, I am old. Anyway, Cyberforce was my most anticipated book and I followed it right through the mini and through the ongoing. Sadly it was canceled when Top Cow became more fantasy-type books and there was no room, or demand for Cyberforce. They tried to reboot it about two years ago but it wasn't as great. Now with the new Fusion series (featuring Cyberforce and Hunter Killer and Marvel's Avengers and Thunderbolts teams) and the new Cyberforce/Hunter Killer series just coming out, Top Cow announced that an ongoing Cyberforce will launch in 2010. The writer has not been announced yet (I have a feeling it might be Joe Casey) but it will be drawn by Cyberforce/Hunter-Killer artist and HUGE Cyberforce fan Kenneth Rocafort! Really looking forward to seeing one of my favorite teams back.

SHOUT OUT! Image United!
Speaking of Image, I CANNOT wait for the Image United series! I know, I know, this was announced at a prior comic convention but the real reason to celebrate is that work has been done on the series and it looks like it just might come out on schedule. If that truly is the case, Kirkman really deserves a raise for getting all the creators focused on this book. I am a sucker for events like this and the Image nostalgia factor is kicking in high gear. This will be the first book I have picked up that featured the likes of Spawn and Youngblood for almost 10 years! I really hope Kirkman rides McFarland to finish (or start) the Batman/Spawn special that was solicited two or three years ago.

SHOUT OUT! I, Zombie!
I like zombies but I think I am getting a little zombied-out of the whole genre and when I saw this title announced I was not interested until I found out that Mike Allred was pencilling the book. This does seem to be something different than the standard zombie story and the idea (a girl who is a zombie detective) by writer Chris Roberson really seemed interesting. But my interest is really on Allred, I am looking forward to seeing him draw some zombies! Looks to be a fun project.

What were some of the announcements that excited you?
Read more!

Panelology – Your Collection is Incomplete, Part 2

by Brandon

In this week’s Panelology, we take another look at a comic book collection. But not just any ol’ collection; your collection! That’s right. Have you ever felt like your collection has been missing something. Is there a story-shaped void in your collection that needs to be filled? If so, I offer four suggestions to get your geeky jollies out on. Some of the stuff is obvious and mainstream. Some of the stuff is out of the way and may take a little bit of effort on your part. But what self-respecting comic fan doesn’t put a little effort into his or her collection?


The Surrogates #’s 1-5, Top Shelf
By Robert Venditti and Brett Weldele
Available in The Surrogates issue #’s1-5 or in Hardcover/Softcover TPB
This book was a recent “read” for me. I had heard for quite a while now that this title was flat out awesome. Despite the praises, I just never really checked it out. That is until the recent $3 Sale at Top Shelf. Words can barely even describe how awesomely good this book is. The Surrogates tells the story of a society that has devolved into technological dependence and addiction. People can buy android surrogates to interact with the world in their place while they lay around all day and play out their own lives vicariously through these androids. It’s not original to say this, but how very Philip K. Dick. The comic is smart by having playing off the themes of humanity’s fascination of technology and the alienation it causes. The artwork is brilliant and subdued. Everything just clicks for this book. I’m anxious to see how the movie turns out, which will no doubt give this book a well-deserved higher profile.

Fell #’s 1-8, Image
By Warren Ellis & Ben Templesmith
Available in Hardcover, TPB and issue #’s 1-8
I don’t consider myself a rabid Warren Ellis fan. He’s just one of those creators that seem to create a fervent, cult-like following for much of what he does. In fact, m y only claim to Warren Ellis fame is that I did have a beer in a bar whilst sitting next to him a t HeroCon a few years ago. That’s pretty much it. Outside of a few titles like Ministry of Space, Transmetropolitan, and The Authority, I never really enjoyed much of his work, and of those three, I only thought Ministry of Space was superb. However, Fell is probably one of my favorite titles currently being published. Why? Well, for one reasons it’s cheap. It’s a two-buck comic that dings in usually around sixteen or so pages. Yet it accomplishes much more in those Spartan pages than most comics do in a whole year of story arcs, crossovers, and big budget events. The book follows the crime-fighting antics of Detective Richard Fell in the mythological/seedy city called Snowtown. Cop shows are fodder for my brain, but Fell has an underlying mystery and symmetry to it that goes beyond the homicide investigations one can see at any given hour on basic cable. Templesmith’s wonderfully erratic art punctuates the sordid depravity of Snowtown like no artist could. The only frustrating thing about this book is its tardiness. Started in 2005, only nine issues have made it to stands thus far. Pick these issues up or turn in your fan boy badge at the door.

All-Star Superman #'s 1-12, DC
By Grant Morrison & Frank Quitley
Available in TPB, Hardcover, and as issue #’s 1-12
I hate Superman. I can’t really explain the origins of this strong dislike for the most iconic comic book character. I’ve always had a strange aversion to him, ever since I was little. He just seemed to be too strong and invulnerable, too clean and infallible for my jaded taste in comic books. However, I love Grant Morrison. Like Warren Ellis, he’s created a cult of devoted fans that follow his work wherever he may land. While I wouldn’t say I’m a member of that cult, I do tend to pick up books with the Morrison stamp of approval. Morrison and Quitley were phenomenal in their X-Men run together. When DC started their All-Star line in a somewhat hokey attempt to counter the popularity of Marvel’s Ultimate books, I decided I would give one of my favorite teams a try at my least favorite character. Much to my surprise, they actually managed to write a great story and they pulled off quite a magic trick; they made me like Superman. Superman seemed believable through Morrison’s vulnerability. Though the story covered a lot of ground in twelve issues, the overarching theme was that Superman was dying. Facing mortality made Superman seem relevant, like he actually had a dog in the fight for life instead of just moral responsibility to save humankind from itself. That didn’t happen in the 90s when Superman faced death and overcame it. Yet it happened here, quietly and without black polybagged gimmicks. For the first time in comic book reading lifetime, I felt for Superman. This book is essential for anyone’s collection because it represents a true, unique vision of the man of steel that doesn’t just strictly involve super-heroics as usual. To borrow a phrase from President Obama, this was change we could believe in. This was Superman.

Ultimate Spider-Man Annual #1, Marvel
By Brain Michael Bendis and Mark Bagley
Available in single issue format or in Ultimate Annuals Vol. 1, Ultimate Spider-man Hardcover vol. 8, or Ultimate Spider-Man TPB vol. 15
While many fans are still irate with Marvel over the dissolution of Peter and MJ’s wedding, the Ultimate universe still has the couple sporting around. However, in late 2005, there was a sudden yet plausible shift in relationships in Ultimate Spider-Man’s life. Yes, you read that right. It was a believable shift in the relationship that didn’t involve Mephisto or Peter selling off his soul. Peter and MJ were kind of in a slump in their relationship. Much like her Marvel Universe counterpart, MJ had been the target of several attacks on Peter, who has been pretty fast and fleeting with his secret identity. A lull in their relationship left a female emptiness to be filled. Enter Kitty Pryde. Yes, that “Hey, isn’t she in the X-Men?” Kitty Pryde. While fighting the Shocker these two realize that they work well together on and off the field of battle. For Peter, here was a girl who actually defend herself if, say, Rhino decided to show up unexpectedly. For Kitty, Peter represented someone who could actually empathize with her and her powers. In my opinion, this is by far the best issue of Ultimate Spider-Man yet to be published. Also, it marked an end for me. While this was a great issue, it marked the pinnacle of the series. Ultimate Spider-Man just hasn’t been that gripping since then. It’s fun and entertaining, sure. But it just doesn’t grab me like it once did. Hopefully that will change soon, but this issue is possibly the best written story of this decade. It’s fun, playful, and genuine. You can’t go wrong with that.

Fanenomics
Next week, just like everyone else in the multiverse, I'll be talking about the bad economy. Fans can find their investment into their favorite hobby taking a nosedive when the economy goes the way of Jean Grey. What can a fan do to deal with the economic malaise and get their comic book fix?

That's next week.

Read more!

The Return: From Top to Bottom #18: The 90's!

by Matt

Welcome to the return of the long running and Einstein award winning "From Top to Bottom" column! Every week I will look at something within the comics industry and give you my opinion on what I think is the best and what I think ranks amongst the bottom-feeders.

Last time, I admitted that I like gimmick covers and that I was one of those fans that helped make it a problem by buying a ton of them. I still stand by saying that some of them were cool and I looked at the Top and Bottom of Gimmick Covers. After reading more of Brandon's great Casualties of the 90's columns I decided it would be fun to look back at the 90's as well. With this special extended 18th edition, I will be looking at my favorite projects that came out in the 90's. While the 90's were not looked at as one of the greatest eras in comics, it was certainly important and is probably my favorite era.


10) Cyberforce
October 1992. Marc Silvestri is one of my favorite artists and I could not wait until this series came out. Like all early Image books this did have problems with lateness but it was worth waiting. The first miniseries had 5 issues (#0-4) and the second series lasted only 35 issues. What I liked about this series is that Cyberforce's main enemy was destroyed in the 25th issue and then it had to change direction. That new direction introduced a more supernatural edge to it that became Top Cow's main staple.



9) Ultraforce
August 1994. I am a sucker team books and Ultraforce featured all of Malibu's top guns. Another big draw was the return of George Perez to a monthly book. Sadly, this series only lasted 10 issues before Marvel destroyed the line. But the 2nd volume that came out a year later was still pretty entertaining, it featured early work from Warren Ellis. This series and the original Prime title were fantastic.



8) Solar
September 1991. The only Valiant title that I have a full run (except for that pesky #60) of. Those early issues was absolutely terrific. Solar was not an ordinary super hero, and I recognized that quickly when he lost control of his powers and destroyed the whole Earth. The split personalities and alternative universes were more than plot devices, they were clever ways for the reader to learn how god-like and how human Solar really was.



7) Stray Bullets
March 1995. I discovered this book a lot later than when it initially came out and I wish I had picked it up then. Back when I first collected comics, I rarely went beyond Marvel and DC and I was more into superhero stuff. This book would have changed my comic buying habits for the better. This book is still going although sadly it is on hiatus. Reading Stray Bullets makes me feel better about the life that I have, there are moments when I read it that I feel sick to my stomach. I feel that way because I feel like I know these characters and the terrible decisions that they make and it is hard to watch what happens.



6) Age of Apocalypse
March 1995. I couldn't believe it when I heard that Marvel was cancelling all of its X-titles (I heard this in the comic shop, way before the Internet was used) and I couldn't believe what these "new" X-titles looked like. Probably one of the greatest events of the 90's. While I knew that the normal Marvel Universe would return, it was so much fun to see how characters were changed and how they fought. It really felt important and would affect the X-titles for years after. Hey Marvel! This is how you kill off Banshee!



5) Hellboy
March 1994. I always like Mignola's moody art when it was on Alpha Flight and I remember flipping through this issue at Woodhaven Comics in New York and thinking that this could be something special. This was pure Mignola art, not like I saw when he was on Alpha Flight. It wasn't until Wake the Devil that I knew for sure that this was special. I never imagined that this series would still continue today and that there would have been a few movies as well.



4) Stormwatch
July 1996. When Stormwatch first came out I collected and loved the early issues, Backlash turned out to be a personal favorite of mine and I followed him through the Kindred and then to his own Backlash series. But the reason I listed Stormwatch on this list was when Warren Ellis took over the book and turned it around. Ellis gave me a superhero book that was not just about capes and supervillians. He gave us a book about how those who have abilities can change the world. His work grew more ambitious and led the way to the 2nd volume of Stormwatch and then naturally turned into the Authority. His run changed comics forever.



3) Bone
July 1991. My first real independent book that I picked up. I heard a ton of good reviews about it and I saw #15 on the shelves and decided to pick it up. At first glance I thought I was picking up a kids book, the Bone characters looked silly. But as I read the issue and laughed out loud, I knew I was wrong. The black and white art really stood out and the pacing seemed a lot slower than other comics (this was before decompression was really used) and it fit. Those first 25 issues of the that series (it was completed with #55) were classic!



2) ClanDestine
October 1994. By now I am sure everyone knows that I a MAJOR Alan Davis fan. I loved his run on Excalibur and was intrigued by this new mysterious series that featured all new characters. What I loved about this book were the relationships between the characters, they felt like a family to me. They argued like a family does, they treat each other like family members do, good or bad. During this time, comics were more grim and gritty. It seemed like every team book had a guy with claws and a guy with large guns. This book hearkened back to the older days, where characters had code names like Crimson Crusader and they wore a cape. This was a refreshing look back at the classic feel of the old days. Sadly, Alan left the book with the 8th issue and returned for a 2 issue miniseries with the X-Men and it would take almost 15 years for them to return.



1) Savage Dragon
July 1992. At first I really disliked Erik Larsen and now I love the guy. His book has never failed to entertain me. This book literally has everything. I never know what to expect when I read it, it is full of shocks, twists, violence, sex and a whole lot more! The best part is that Erik Larsen will always be on the book until he dies and I will be along for the ride the whole time. How can you go wrong with a character like BrainApe? Yes, he is a huge gorilla with the brain of Adolf Hitler. Erik is not afraid to change anything, NOTHING is sacred, even the Dragon himself!


See? I love the 90's! I could have easily added Preacher, Starman, Alan Moore's Supreme to this list! Now there are books that came out that were not so great either. I will not bore you with a huge list of what was ridiculous but I will give you my Bottom 3 projects of the 90's.


3) Deathmate
September 1993. This crossover featured 2 of the hottest comic companies in Image and Valiant and this series was one of the things that caused the downfall of comics in the 90's. Image was extremely late in the project, so late that retailers could not return any unsold comics back to the publisher. There was thousands of Deathmate Red and Black left unsold in comic shops. The project was hastily put together and it should be noted that Todd McFarland and Erik Larsen wanted nothing to do with the project. Its only bright spot was that it did introduce Gen13 to comic fans.



2) Heroes Reborn
November 1996. You'd think that with Liefeld and Jim Lee returning to Marvel would be the greatest thing but it wasn't. None of the creators could even stay on the books the whole time, which was extremely disappointing. The only good thing about it was it gave more exposure to the Avengers and Fantastic Four titles and made them just as important as the X and Spider-titles.



1) The Clone Saga
October 1994. I never thought it would come to a time when I didn't collect a Spider-Man book. It has only happened twice, with Brand New Day and back in the 90's with the Clone Saga. Comic book companies in the 90's found a formula of success by overhauling characters completely, they killed Superman, broke Batman's back, made Hal Jordan go crazy, kill Daredevil off and replace him with an 'armor' version, make Colossus go bad, suck the metal out of Wolverine, kill off Green Arrow... ...geez, the list is endless. The biggest disaster was the Clone Saga. The Spider-Man we all knew was just a clone! The Clone Saga was only supposed to last a year or so but it sold well (like all the comics in the 90's) and so Marvel extended it and it went on and on and on. Now there are some good stories within that craptacular event, Amazing Spider-Man #400 being the best, we ended up with a new Spider-Man. The costume was cool, but Ben Reily was not. Thankfully they ended it by killing Ben, who was revealed to be the actual clone but it also brought back Norman Osborn. Ugh.

Sure the 90's had some terrible moments but there were some great gems that came out of the same era!
Read more!

Panelology - Who Do We Read? (Part 1)

by Brandon

Panelology triumphantly returns this week after a long, but necessary, mental health hiatus! Continuing on with my look at the essentials of collecting comic books, I'm taking up the issue of comic book companies. Who do we read? Why do we slavishly follow companies? Is there hope for mankind? Read on!

Comic book fans are pretty unusual. Our purchasing habits tend to follow one company or line with great regularity. Sure, we all venture out, but we tend to follow a company's titles as a general rule of thumb. This isn't necessarily a bad thing, but it is a curious phenomenon that happens within our hobby. I'm a huge music buff, but I don't tend to follow record labels around. I, like any proud fanboy, also love movies. Yet, I don't find myself lining up at the the local yokel movie theater every time something from Paramount or Warner Brothers comes out. Even gamers tend to sample across the spectrum.

This isn't a rule for everybody, but many in our community tend to stay with one company for a majority of their purchases. I'm no different. I freely admit that I am Marvel fan. I do tend to dip out into other books and companies, but I would say a full two-thirds of all of my purchases come from the House of Ideas. Just this past weekend at HeroCon, I heard a young man exclaim as he was rifling through the 50% off TPB boxes, "Man, all of this shit is Marvel! Why would anybody read this stuff?"

Well, let's see...

Marvel
I love Marvel. I think Marvel tends to do a great job of mixing the fantastic with reality. I think in terms of character development in the superhero realm, Marvel does a better job than anybody out there. For super-heroics, Marvel offers a wide variety of titles, both solo and team books. Marvel doesn't seem to be afraid to take risks with their properties. Just look at Brand New Day and the Death of Captain America arcs if you don't buy this argument. For better or for worse, Marvel likes risks. I don't think they are as risky as they were back about eight years ago or so, but that was more of a function of survival than anything. Plus, they have a quasi-impressive line of labels now. Max, Ultimate, and Icon have solid potential. I believe the Ultimate line may be the only one that has at least lived up to its potential, but if rumors are true about this line, it could be going the way of Valiant pretty soon.


DC
Ah, the "old" guard. If someone wants superhero titles, DC is where it is at. Marvel has them too, but DC seems to be focused so much on the superhero that they seem to lose the characterization Marvel tends to focus on. That could be my own bias of DC coming in, but I don't think that focusing on superheroes is a bad thing. I think DC appeals to those fans who want heavy continuity and stability. I don't see them as risk takers, but more as stability-setters. They really have bought into the event trend, which is great for their readers because they tend to demand a more cohesive, connected universe of titles. Their Vertigo line is also one of the best lines out there for mature readers. It mixes fantasy, crime, science fiction, and mystery so well. Unlike the Ultimate line, Vertigo has far exceeded its potential. Vertigo acts almost like an indie label being hawked off by a major company. I really enjoy many titles from this line. Except for Jack of Fables.

Dark Horse
DH is an interesting company right now. They have tons of opportunities going for them. They have a good mix of licensed properties and original titles. On the licensed properties front, they have some big licenses with Star Wars, Conan, Indiana Jones, Buffy, Aliens, and Predator to name just a few. I bet DC and Marvel would cream themselves to snap up those properties! These properties bring in a locked-in fanbase that tend to follow the titles out of love for the characters. This is good money for DH. Chances are that at least one of those properties interests you, my fine readers. DH also has some really good original titles. Hellboy, Fear Agents and The End League immediately come to mind. All three of these titles are exceedingly well done. DH seems to be more willing to take a dip in the original title pool lately, which seems to be working for them. Also, their collected editions

Image
Image has a lot going for it these days. They have a stable of some really excellent titles that are very diverse. To use a terrible word, Image has cornered the market on "funky" titles. That's right, funky. That's probably not the right word, but it works for the time being. They have a zombie book, outlandish and grounded superhero titles, spy books, and action/adventure titles. Image seems to do a bit of everything and they are able to filter it through their funky lens to make it unique. Fell, Casanova, The Walking Dead, and Savage Dragon are all strong books in my mind from this company. Image has tons of potential, and I think Erik Larsen is doing a fine job tapping that potential.

Those are just four of the "big" companies. Just between those four, there is enough diversity in comic books for anybody to find a title they love. But what about the other comic publishers? Great question! Next week, I'll take us on a journey through some of the indie publishers.

I'll definitely be getting back on a regular weekly schedule too. Between taking two grad classes, teaching a creative writing class, and wrapping up the school year, things have been a little hectic around here for me. But never fear! I'll be back next week with Part 2!
Read more!

Driveby Comic Reviews (April '08, Part 2)

by Chris

In this installment, I review Mighty Avengers #12, Witchblade #117, Spawn: Godslayer #8, Star Wars: Knights of the Old Republic #27, and Thor #8.










MIGHTY AVENGERS #12
When Bendis is on his game, he is very good. He is definitely on for this issue. This is the best issue of this series to date. Gone are the thought bubbles that Bendis never figured out how to use effectively (they were more annoying than anything). Gone are the double page spreads of things exploding and the pages with no dialogue. This was a well written issue with an excellent balance of intrigue and action. However, it was only tangentially related to the team we've been seeing in this book. It was more of a one shot tying Secret War to Secret Invasion starring Nick Fury with an appearance by Spider-Woman. Not really what you'd expect from this book. Despite that, it was enjoyable read. Alex Maleev's artwork doesn't do much for me, but it was solid here and was very
effective at setting the tone of the story.
Grade: B+


WITCHBLADE #117
Month after month, Ron Marz makes this book a very compelling read. He's taken what had been a Bad Girl book and turned it into an intelligent supernatural crime book. The antagonists in this book are truly creepy and this issue continues Sara's investigation of the murders that are reenactments of how the Twelve Apostles were killed. Meanwhile, it seems Dani's gotten in over her head with the guy she'd been seeing and we just knew there was something off about him. It seems the two storylines are linked somehow and the reveal of that should be quite interesting. Stjepan Sejic turned in another gorgeous issue. That he can turn in painted work like this on a monthly basis is astounding.
Grade: A-


SPAWN: GODSLAYER #8
This is the final issue of this book. Apparently, sales weren't sufficient to continue publishing it. There is no closure to any of the storylines that had been going on. The book is left mid-story and I suppose we'll never find out what was to happen. Not only that, but they actually introduced some new plot elements. How craptastic. Being the fantasy fanatic that I am, I enjoyed this book quite a bit. It wasn't the best fantasy I'd ever read, but it took the quest story and gave it an interesting twist. Gorgeous artwork from Philip Tan (I look forward to seeing what he's got lined up at DC) made for some amazing eye candy. Unfortunately, none of that saved this particular issue. If they knew they were going to cancel the book, it would have been nice if they could have wrapped up at least one or two storylines. Ending it like they did left a bad taste in my mouth.
Grade: D


STAR WARS: KNIGHTS OF OLD REPUBLIC #27
I've enjoyed this book since the beginning. A lot of that enjoyment had to do with Brian Ching's artwork. Since he left, the art in the book has been going downhill. For the last few months, it's been solid if not spectacular, but this month it got downright ugly. Not that Scott Hepburn is a bad artist per se, but his style does not fit at all with this book. It's way too cartoony and exaggerated. Looking past the art, however, the story introduces a couple of new twists that
promise to take the book an interesting directions. A character introduced in the last issue seems to question her allegiance to The Covenant and then the last page shows us something that my drastically change the direction of her life.
Grade: B-


THOR #8
I like the covers Marko Djurdjevic has done for various books, but his pencil work on the interiors of this issue and the previous one is gorgeous. He lends a visceral sense of power and violence to the battle between Thor, Odin, and Surtur. While not as effective in the quiet moments between Donald Blake and Jane Foster, he still does solid work. I may even like his stuff better than Oliver Coipel, of whom I am a big fan. On top of the gorgeous artwork, we have JMS's excellent writing. His prose lends a sense of grand drama to the book and his dialogue captures the inherent nobility of the Asgardians (though I do miss the Shakespearean English that previous writers have utilized). While the action in this issue was anchored to the battle, the plot itself was driven more by the scenes between Blake and Foster. Plus, those scenes introduced an element I am sure will drive the book in future issues.
Grade: A
Read more!