Panelology - Your Collection is Incomplete, pt. 1

by Brandon

When you look at your collection, do you feel a comic book shaped void? Go ahead, you can admit it. We’re all missing something considered essential by fans. Occasionally, I’ll offer some sage-like (read; asshole) advice on what every respectable collection should include. Don’t have it in your collection yet? Your Namor bust should hang its head in shame. The old. The new. The obscure. The iconic. It will all be represented. The only thing I can promise is that I’ll at least leave Watchmen and Dark Knight Returns off. I mean, let’s face brass tax here, folks. If you don’t own those two yet, I’ll need to collect your service weapon and badge as you exit the building.


Locas: The Maggie & Hopey Stories, Fantagraphic Books
By Jaime Hernandez
Available in HC or individually throughout Love & Rockets Volume 1 #’s 1-50

Love & Rockets is one of the best independent comic books ever produced. The sometimes madcap antics contained within either volume of the series, the first run from 1982-1995 or the latest incarnation published from 2001 to the present. You could effectively stack up the works of Gilbert and Jaime Hernandez against any of the big name creators today and have a very proud representation of the breadth and scope of the possibilities of the comic book medium. My favorite stories from Love & Rockets have always been the Maggie and Hopey stories. Of the two character, the beleaguered, often frustrated, Maggie is my favorite. Jaime did something very brave with Maggie as a character; he evolved here. In a medium where character evolution (note, this is different than development), Jaime turned Maggie from bombshell babe to a realistic heavyset girl. Time and gravity tame all things. These stories are always funny, seldom boring, and consistently engaging. And what can be said about Hopey? Well, if you don’t find something to at least smile widely at in each story, then you should be ashamed of yourself.


The Ultimates, Volumes 1 & 2, Marvel
By Mark Millar & Brian Hitch
Available in HC, TPB, or individually in Ultimates #’s 1-13 and Ultimates 2 #’s 1-13

Most of the comic book news that has been released lately has been, for me at least, pretty lackluster. The only thing that really set my fanboy heart on fire is the Announcement that Millar would return to his Ultimates roots in writing Ultimate Avengers. The first two volumes of The Ultimates were absolutely plagued by lateness issues. However, having all now completed and having read the totally monotonous Ultimates 3, one can really appreciate the original stories. I believe this is a modern day classic. Gone are the positive beams of optimism Stan Lee & Co. gave us in the 1960s. The heroes presented in the first two volumes of The Ultimates are heroes for a jaded, post-industrial world readers that understand that the definition of heroics is constantly in flux and often different depending on culture and political leanings. Our supermen are only as super as far as their powers can take them, but they are flawed human beings at their core. The Ultimates stands as a modern morality play on the post-9/11 world. As Stephen King likes to point in his Dark Towers books, the world truly has moved on. In a world where The Ultimates exist as true mirror to mirror reflection of our own cynicisms, how can cheerleader heroes like Superman be relevant? I believe the answer is that they aren’t. Millar and Hitch brought a brutal modern realism to the superhero genre much like what Miller, Moore, Chaykin, and others did in the 1980s. There’s no turning back.

Savage Sword of Conan Volume 1, Dark Horse/Marvel
By John Buscema, Gene Colan, Stan Lee, Roy Thomas, Gray Morrow, John Romita, Barry Windsor-Smith, et al.
Available in TPB or in Savage Tales #’s 1-5 and Savage Sword of Conan #’s 1-10

Conan has always been one of those sword and sorcery staples fans have pointed to as being a truly iconic character. As sexist, racist, and xenophobic as some of Robert E. Howard’s stories could be at times, Conan is still one of the principles of the genre. The standard by which any Conan comic should be measured is The Savage Sword of Conan. The regular Marvel series was great, but Conan was never better than in glorious black and white from the Savage Sword title. More akin to the magnificent modern day Conan titles produced by Dark Horse, Savage Sword felt like Robert E. Howard’s vision for Conan than the many pastiches of the day. It was violent, adventuresome, stark, and demanded the full attention of the reader’s imagination. No better celebration Robert e. Howard’s work exists than the stories in this volume. Seeking out the single issues might prove to be an expensive venture in the short run, but just think how magnificent would they look there among your collection.

Promethea Volume #’s 1-5, ABC/DC
By Alan Moore & J.H. Williams III
Available in HC, TPB, and individually in Promethea #’s 1-32

Alan Moore is obviously a prolific writer who has written so many classics that it is almost impossible to think that anyone would be lacking in the “Alan Moore Department” of their collection. However, many fans have passed on Promethea. Why? I’m not quite sure. Maybe there aren’t enough fisticuffs to keep the fight-of-the-month crowd interested. The reading is dense and rich as Moore explores the multifaceted ideas of magic, life, and reality. In a day and age where an average comic takes about 5-10 seconds to read, Promethea gave you plenty to read and think about for at least an hour. While in college, I remember I would pick up the issue of Promethea on a Friday, read it, and return to the book store the following day to have a discussion about the issue. Those were some of the most intellectually stimulating moments of my life. And it was about a comic book. Will wonders never cease? Moore’s poetic writing is complimented by William’s exquisite drawing and homage covers. One has to wonder how Moore always seems to get the perfect complimentary artist for his stories. Maybe it’s magic. Tracking these issues down in any format, collected or individually, will be well worth the effort.


Super F*ckers #’s 1-4
By James Kochalka
Available in Super F*ckers #’s 271 (1), 273 (2), 277 (3), & 279 (4)

I said in a recent article here that Kochalka is the funniest man creating comic books today. Period. I stand by that statement. Case in point? Super F*uckers. Why? If Millar paints a realistically bleak picture of the socio-political elements of our society, Super F*ckers is a glimpse into how real young adults would handle the responsibility and melodrama of being in a team. The result? Petty, asinine disputes that will make you laugh. The team’s leader is gone, so therefore the team devolves into pretty much mental mush. Add superpowers to the typical young adult dynamic, and you have a charged recipe for hilarity. Even the numbering of the title is off to give readers a sense of “you’ve missed some things” that adds to the humor. The comedy comes fast, engaging, and acceptably immature to great effect. This is what the New Mutants would probably be like. I just wish more issues would come out. Perhaps then a trade would be issue. Until then, the issues are still available and fans can get them for s mere $3 at Top Shelf for a limited time.

That’s it this week. Be sure you check back next week where I will once again I hope to prod and poke you with all of my idiotic opinion on collecting.
Read more!

Panelology - Casualties of the 90s: The Punisher

by Brandon

This week’s Panelology starts a series of articles looking at titles, companies, properties, and creators from that flamboyant decade of comic book decadence, the 1990s. The 90s were filled with many success stories that ultimately ended in a poly-bagged implosion caused by a lack of monetary resources, a misuse of properties, creative woes, and just plain bad luck. In my mind, the character that best exemplifies the comic book collapse of the 90s is one of my favorite characters, the Punisher.

The Roaring 90s
The early 90s were good to Frank Castle. Leaving the 80s, Punisher was already featured in two titles, his self-titled which began in 1987 and 1988’s War Journal. Though created in the 70s, Punisher resonated well with fans in the 80s due to the dark nature of the character. The character, much like many larger than life action-oriented properties of the early to mid-90s, received a lot of success. Of the Marvel properties, Punisher seemed more like the brand of antihero that was coming out of the early Image books. He was dark, brooding, and ultraviolent. And he had guns. We all know those early Image creators liked inserting guns into their titles. Big guns, at that. Guns were cool then, what can I say. The fact that Punisher was big on guns gave him a competitive edge during those early days of competition between Image and Marvel. In a way, Punisher was Image before there was Image; alternative to alternative.

By 1993, the budding Punisher franchise had grown to support four monthly titles, adding the fun at first War Zone and the laughably bad 2099 title. That’s four titles for one character. Do the comic book math there. To me, that just doesn’t even add up right. I’m of the opinion that no one character should really support several titles. There are all sorts of benefits creatively to having just one title per character. The fact that Punisher is often portrayed as a one-dimensional character did not help the saturation of Punisher books out at all. In the early to mid 90s, one could now read four titles where Punisher popped a cap in someone’s ass monthly. That was too much for a character like Punisher, no matter how enjoyable it is to see him shoot bad people.

He's Everywhere
The Punisher was also like Santa Claus, Jesus, and Bill Gates in the 1990s; he was everywhere! I think many people forget that for a time in the 90s Punisher was a lot like Wolverine. It seemed like he was showing up not only in his own four titles, but everybody else’s titles too. Some of the appearances in books like Ghost Rider, Daredevil, and Wolverine actually seemed to fit the mold of Punisher’s violent underpinnings. But many of his appearances were awful and unnecessary. Just taking a look at some of his more bizarre comic book visits to titles like Dr. Strange, Fantastic Four, Silver Sable, Quasar, Namor, and West Coast Avengers should make you scratch your head and ask, “What the fuck is Punisher doing in a Namor book?” And yet, there he is, in all his glory, hanging out with a dude who wears a scaly Speedo. Punisher has guns, damnit! Guns! GUNS! He should not be hanging out with Namor, least of all with a loser like Quasar. Punisher also appeared along side with some fairly “wtf” people outside of the Marvel Universe too. Most famously, you have the Archie crossover, but he also appeared in Alf. Throwing the Big Pun in your title for a month gained a Colbert-like bump in your sales, I suppose. But really, West Coast Avengers? Archie? Quasar?

Punisher fans, hang your heads in shame!

On top of all of this, Punisher also starred in several prestige-format comic books. By several, I mean approximately 1,857. This is one less the amount of appearances he had in other idiot’s comic books. While many of these specials were actually pretty good, these titles just added to the glut and oversaturation of the property. It was rumored that near the downfall of the character there were several unpublished Punisher prestige format books and miniseries just waiting in the wings to be published. The mystique of this now lost Punisher file filled with more schlock from the 90s has become an urban legend.

This type of overuse of the character was about to take its toll. The carrying capacity for Punisher in the volatile comic book market was not far behind.

The Downfall
By 1995, poor sales on all of the Punisher titles forced Marvel to cancel all of them. The main title would be resurrected later that year, with the writing chores being handled by John Ostrander. As a writer, Ostrander is generally a highly capable, one of my favorites. However, he tried some pretty bizarre things out for the Punisher. First, he had the Punisher join the mob. Later, after that went tits up, he had him join S.H.I.E.L.D. I kid you not. After that story went tits up, the title was cancelled with issue 18 due to Marvel’s economic woes despite and a general decline in popularity of the character. Like several canned titles, issues 19 and 20 were already in the creative works, potentially haven been written and drawn, but they would never see the light of day. Oh, and Punisher had a Steven Seagal style ponytail for the first few issues. I cannot tell a lie. It’s true.

But there is appositive side to the mid-90s for Punisher. Though 1995 would seem like a bad year for Punisher with the start of a new lackluster series, there was one highlight. One of the last in the line of prestige format books hit the shelves called Punisher Kills the Marvel Universe by one Ennis. As the title suggests, in this book, Punisher kills the entire Marvel Universe. The end. It was a bloody, What if?-type fun ride that would give a glimpse of what the future would hold for the Punisher.


Punisher would fall into further humiliation with the publishing of the now infamous 1998 Golden/Sneigoski/Wrightson limited series. In the miniseries, Punisher gets powers from angels so he can put caps into people’s ass for them. Yes, you got that right. Angels. I remember reading this during my freshmen year of college thinking, “Who the fuck green-lit this piece of garbage?” This is an X-File if there ever has been one. While I don’t recommend actually buying this miniseries, do try to borrow it from some sad fan like me who actually bought the damn thing (I also somehow got a signed version of issue #1 along the way, but I don’t remember how). It is truly a bizarre, David Lynch-style reading experience that will make you want to write an angry letter to your congressman or Bill O’Reilly. To make matters worse, this angelic-gun-toting version of Punisher appeared alongside Wolverine in a miniseries in 1999 called Revelations. Ugh. This should have simply been titled 90s Glutfest. It was a simple proposal; take two of Marvels most overused heroes and put them together. Genius! But not really. Unlike the first angel miniseries, you should not seek this one out. I believe it’s illegal.

Beyond the 90s
And yet, in true Punisher style, the property somehow survived all of this. Punisher has been one of the success stories of surviving the 90s. He had one of the most bizarre and toilsome journeys of any Marvel character (with the exception of Spider-Man), but he mostly came out on top. In 2000, Garth Ennis and Steve Dillon would begin their influential run on the title with the 12-issue maxi-series that pretty much forgot/ignored all of the trash of the 90s. Ennis was responsible for bringing Punisher back to his vigilante roots.

Though his run is at an end, Ennis continues to work on the Punisher today after planting him in a much deserved mature content title outside of the boundaries of the Marvel Universe. In 2006, a second ongoing Punisher title began, War Journal volume 2, to much praise as Punisher was “returned” to the Marvel Universe after a short absence. There have been several specials that have been made too, with most being accepted with positive praise. Punisher also doesn’t show up as much in other titles. While there have been a few instances of his carousing around the Marvel Universe, they have been generally tasteful appearances that don’t seemed forced or out of place. There was a fairly unremarkable movie adaptation and a new “requel” set to hit theaters this winter.

So, Punisher ended up on top despite some hefty creative missteps in the 1990s. It seemed like the creators involved in the 90s didn’t have a passion for the character. Sure, they probably liked him, but under the guidance of someone who truly enjoys and gets the Punisher like Garth Ennis, the character has flourished. To many Punisher fans, Ennis has heralded in a Golden Age for their favorite black clad vigilante. I know I feel that way.

And I would be lying if I said that the entire 90s run of Punishers books was bad. There were some great titles. Check out the list of recommended reading at the end of this article for some superb Punisher highlights. In the end, let’s all hope the next decade treats Frank as well as this one and much better than the 90s!

Next time...
Of course, if you have a story suggestion for Casualty of the 90s, I'd love to hear them. Post a comment below. Next week is Star Wars Week. Panelology will be taking a special “Casualties of the 90’s” look at Star Wars comics. See you then!

Recommended Reading:
Here are some great Punisher stories worth checking out from the 90s. Enjoy!
- Punisher War Journal #'s 25-27 (1990 - The Sicilian Saga)
- Punisher P.O.V. #'s 1-4 (1991)
- Punisher 53-59 (1991-1992 - The Final Days)
- Punisher: Die Hard in the Big Easy (1992)
- Punisher/Captain America: The Blood & Glory (1992)
- Punisher War Zone #'s 12-16 (1993 - Psychoville, USA)
- Punisher: A Man Named Frank (1994)
- Punisher: Year One #'s 1-4 (1994)
- Punisher Kills the Marvel Universe (1995)
Read more!

Beyond the Big 2: May 2008

by Matt

I love going through the Previews magazine every month. I spend hours going through every page, reading every solicitation and I usually find something that piques my interest. Each month I try to pick up a new book that is NOT part of the "Big 2". Now I know this is a little late but here are a couple of new books that I am giving a try from the June 2008 Previews.


FREDDIE & ME GN COMING OF AGE BOHEMIAN RHAPSODY
By Mike Dawson
Published by Bloomsbury
Freddie & Me is a wonderfully funny and moving graphic memoir of Mike Dawson's lifelong obsession with Freddie Mercury and Queen. Told alternately from Mike's childhood, teenage and adult perspectives, Freddie & Me explores the way in which music changes and shapes our lives, and the way in which random memories can both prop up and undermine the stories we tell ourselves. The counterpoint to Mike's obsession is his younger sister's love of George Michael and Wham - including several deliciously funny imagined scenes which, like the book as a whole, is written and drawn with a brilliant combination of exuberance and subtlety.

I am picking this up because Queen has been a huge part of my life as well. I am looking forward to reading this novel and seeing how Queen affected his life. Mike and I are pretty close in age (I am a year or two older) and so I am very curious to read about his experiences. I wish I thought of this first!



CHARLATAN BALL #1
By Joe Casey and Andy Suriano
Published by Image Comics
WELCOME TO THE BALL!
Meet Chuck Amok, a down-and-out stage magician pumping the sleaze ‘n’ peanut circuit. When he and his trusty rabbit, Caesar, are transported to a reality where magic actually works… Chuck’s showbiz compulsions take on a whole new meaning. But why was this wayward chucker picked? Only the vile Demon Empty knows for sure! Take your comic book rulebook and tear it up, y’all! This is graphic fiction on shrooms, True Believer!

I am picking this up because it just sounds so outrageous, over-the-top and fun and with a tag line like "Charlatan Ball: The Only Comic Book Where You Can Lick The Pages And Ride Your Own Melt!" How could I resist? Casey's writing is usually very clever so I am looking forward to getting high on this. I wonder if you smoke this comic what would happen?
Read more!