Marvelous Possibilities

by Brandon

Marvel's announcement that they own Marvelman at the San Diego Comic Con in late July 2009 was a welcome surprise for many fans. Why? Because Marvelman has been in legal purgatory for many, many years. That is the Alan Moore and Neil Gaiman version. Though it's still not clear whether that paramount work or not remains under Marvel's publishing purview or not, it is clear that Marvel can does plan on publishing new Marvelman material. I can just see the line queuing up outside Joe Quesada's office in New York with writers chomping at his heels to get a chance to write this character. But who are these writers?

I submit to you my humble list of writers who I think should, could, and probably would tackle Marvel's newly minted Marvelman.


Neil Gaiman
Neil Gaiman comes to mind immediately. I think that it is highly probable that Marvel will get Gaiman for an arc or two, maybe even a miniseries. They wouldn't get him for longer, but he's been involved in this whole legal process for a while. He also wrote Marvel's 1602 in the hopes of funding said legal battle. It would have been fruitless of him to have spent such time and effort in this process to not get a shot at writing Marvelman in any form. It would be great if he could continue and finish the story he started, but it would also be awesome if he did anything with the material. I think Marvel would at least give him the initial stab at writing Marvelman, perhaps by launching with a miniseries.They have a good working relationship that I don't see hindering Gaiman's inclusion.
Vegas Odds: Marvel publishing books with an "X" on the front cover.

Mark Millar
Though he's pretty busy these days, Mark Millar can bring a crowd to pretty much anything. I think Millar could do a good job with the Marvelman character, but he has to realize sensationalizing this character just doesn't seem right. He has a penchant to make things be a bit too dramatic. Millar can definitely bring pizazz, for better or worse, when it comes to writing comic books. He's a staple around Marvel and one of two jewels (along with Bendis) in modern Marvel's crown.
Vegas Odds: Ultimate Captain America insults France again.

Grant Morrison
Wishful thinking on my part, but damn it could be cool to see Grant Morrison on this title. However, Morrison seems to be content at Dc doing whatever the hell it is he is doing this month. I don't think Marvel would give Morrison the total freedom to be as deliciously weird as he could be with Marvelman.
Vegas Odds: Final Crisis becoming readable.


Brian Michael Bendis
Bendis would be the safe bet for Marvel since he's kind of their "go to guy" for all things big, but I doubt anything of interest would happen due to his allergy to adding immediacy to his comics. He's a good writer, but I just don't think he gets characters like this. Like I said of Millar, he's a staple of modern Marvel. Chances are he gets a crack at this character, but that's only after Gaiman passes on the job or moves on after completion of his story.
Vegas Odds: Already writing 83% of Marvel books.

Jeph Loeb
Oy. Marvel's been giving this guy a ton of work lately. I'm only familiar with the Ultimatum side of the equation, but man, that book sucks badly. Yet... Marvel seem to be very keen on him now. If you read anything coming out from the house of ideas, they just love this guy! I don't even think that's P.R. They seem to be genuinely pleased with his current output even though it's late and many fans deride it as being on par with watching a Michael Bay movie. But he sales comic books.
Vegas Odds: Blob eating Wasp's guts out with chocolate syrup on top. And sprinkles!

Mike Carey
Carey is kind of a pick from left field on this property, but he's a solid writer. He's proven himself with numerous titles, but may be too busy for a turn at Marvelman between X-Men: Legacy and The Unwritten. However, his style seems like it would fit in perfectly with at least the Moore and Gaiman run.
Vegas Odds: Emma Frost starts wearing sensible, frumpish clothes.


Brian K. Vaughn
Vaughn is another "out there" pick since he seems to be more on the way out of the comic book medium in lieu of television and movies. However, with the recent announcement that he would not be on this season of Lost, Vaughn might have some free time in the future to pursue a comic book comeback. This probably would never happen, but I would love to see more from Vaughn and this would be a great chance for a double return; Marvelman's back, and so is Brian K. Vaughn.
Vegas Odds: Y the Last Man movie shot as a porn.

Matt Fraction
Matt Fraction is another guy who is getting a ton of work at Marvel these days. His work at Marvel thus far has been good, but not great. I just don't think Fraction has enough clout in the industry yet to pull off an assignment like this. His rise to prominence seems too fast. There's been absolutely nothing in his previous work that I think would even put him in the same league as Alan Moore or Ne4il Gaiman. I think he could pull the Marvel fans in, but that's pretty much the extent of his drawing power. Yet... hes gotten some pretty high profile assignments as of late. Matt Fraction is someone to watch in all of this.
Vegas Odds: Spider-Man appearing by issue three.

Alan Moore
I know. Yeah, right. This would probably never happen, but damn it would sweet, wouldn't it. Alan Moore doesn't strike me as someone who revisits the past much if ever, and Marvelman seems like the distant past for him.
Vegas Odds: Quasar becomes first book in years to sell over a million units.
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Waited for the Trade: A Batch of Shorties

by Dan

With the craziness of my job the last several weeks (thanks stock markets!), I've been completely MIA from most things Internet. Yet, the comics and trades kept on coming. So, here's some shorty reviews of sixteen trades and graphic novels from nine different publishers. From the excellent Black Summer and Immortal Iron Fist to the complete opposite of excellent Black Diamond and Star Wars: The Force Unleashed plus plenty in between.









Army @ Love Vol. 2: Generation Pwned – More often than not, I love Rick Veitch’s writer/artist work. But after giving up on the critically acclaimed Can’t Get No, I was worried going into Army @ Love. Thankfully, this has been an awesome satire book with plenty of sex, drugs and war. A wonderfully crafted series that ended all too soon (there is a second “season” out now, but I’ve read that it goes in a very different, yet interesting, direction). B+

Authority: Prime – Authority fights StormWatch and it’s all Bendis’ fault. I always knew that guy was up to something! Wait, Bendix, not Bendis. Eh. Much less interesting now. An okay check in with the WildStorm universe, but after the excellent Authority Revolution it’s a clear step down in quality. C+

Black Diamond – For a story about a cross-country, raised superhighway they spend WAY too much time on anything but the cross-country, raised superhighway. Overall, this was really disappointing. The art at the beginning was just not my thing, but when it became more iconic and more graphic designer-y at the end, I really enjoyed it. D-

Black Summer – This was just an awesome Warren Ellis series. Mostly, I saw it to be Ellis' final word on The Authority and what a terrible path they would eventually have taken. Gory and violent with lots of commentary about the U.S. government. Great stuff. A

Classic Battlestar Galactica – I don’t know why, but I still dig the original Battlestar stuff more than the new. Granted, I lost track of the new show after the first season and Dynamite flooding the market with “New” Battlestar books has been too overwhelming to follow. Thankfully, Rick Remender (a fave writer thanks to Dark Horse’s Fear Agent) was let loose on the old characters and creates a fun episode of the classic show. B

Criminal Macabre: My Demon Baby – I was regretting this purchase before I read it, as I couldn't really remember how I felt about the first two collections I read years ago (apparently there's been two more that I missed). That said, I completely dug this four-issue story. Niles has a lot of Ellis in his lead character, Cal McDonald. Lots of dark humor fun and I may have to figure out what the other two books are and grab those. B





Immortal Iron Fist Vol. 2: The 7 Capital Cities of Heaven – I’ve never been an Iron Fist or Heroes for Hire or Kung Fu fan. Ever. And yet, I completely and thoroughly enjoy this title and all its Iron Fist-tastic history. I did get a little confused with who was who, including the reveal at the end that references the annual included earlier in the collection. So, sometimes there is too much history and too many characters to keep straight, but that just makes me want to sit down and read Brubaker and Faction’s entire run once volume three comes out. Great art from Aja too. This is quality comics. A-

Maintenance Vols. 1 & 2 – This Oni series just makes me giggle. Thanks to Customer Appreciation Day (aka Free Comic Book Day) for finding this one. Reading these on the can is fun, but got surreal when our trusty janitors took an adventure into the can. B+

Mini Marvels: Rock, Paper, Scissors – Turns out I've read a bunch of these shorts featuring the Bullpen Bits characters and, in all honesty, it's just not that funny the second time around. Some of the later stories that riff on Marvel events like Civil War and World War Hulk are amusing, but overall this just doesn't hold up to multiple reads. B-

New York Four – Brian Wood and Ryan Kelly do it again. Although I was frustrated by the fact that there could be a lot more story told and, more than likely, it won't happen. B+

Power Pack: Day One – A fun revamp of the kids' origin story. I've never read the original version, but I'm sure this has been updated to be, ya know, entertaining. Anyone that's been reading this series of mini-series will enjoy this about as much as the others. I'm really looking forward to the Skrulls digest though. B-

Star Trek: The Return of the Worthy – The last reprint Titan did of the old DC version of the original Trek. The main story about The Worthy was a completely predictable, 100% Trek message type of story. Not bad, but nothing new either. C+

Star Wars: The Force Unleashed – When I preordered this, I was already dropping the last of the Dark Horse titles, Legacy, from my pull list. I figured this was a last shot at Dark Horse’s current Star Wars universe (although I am checking out the current Clone Wars mini). Even more concerning was the fact that this book was based on the video game of the same name and was serving as a way to fill in some of the back-story. Unfortunately, the book reads like a video game with all the paces and boss challenges included. This is definitely not for anyone but fans of the game, and even then I’m not sure it’s good on any level. D

Too Cool to be Forgotten – Very cool story that gets somewhat sidetracked/rushed at the end in order to wrap up the main ideas about father/son even though 90% of the book was just about the son. I get what Robinson was going for, and he succeeds for that 90%, but I wish the end had been drawn out or built up to better. A-

Wolverine: Death of Wolverine – This collection starts off interesting enough with Jason Aaron and Howard Chaykin’s “Man in the Pit” issue. Wolverine has been captured and put in a pit where he’s shot a few hundred times every 15 minutes to keep him subdued. The rest of the collection is Marc Guggenheim and Chaykin’s Logan Dies story, which rewrites Wolverine’s healing powers as a literal fight with Death every time he’s extremely injured. A bit odd, but, like the first story interesting. Unfortunately Chaykin’s art is incredibly distracting – sketchy and blocky with odd close ups. B-

Wolverine: Get Mystique – Hey, a Wolverine story that actually ties in to current continuity! Wolverine is chasing down Mystique after her betrayal during Messiah CompleX. Cool enough of an idea. Unfortunately, it gets a bit convoluted due to writer Jason Aaron throwing them into the middle of Iraq and Afghanistan for no real reason other than those are topically locations. C
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Spotlight Review: Uncanny X-Men #500

by Doug Smith

It's finally here - the landmark 500th issue of Uncanny X-Men! Featuring new artists (Greg Land and Terry Dodson), a new co-writer (Matt Fraction), and a new status quo for Marvel's merry mutants. Anniversary issues always bring high expectations - did Uncanny X-Men #500 live up to them?

WARNING: Spoilers ahead!

UNCANNY X-MEN #500
Writers: Ed Brubaker and Matt Fraction
Artists: Greg Land and Terry Dodson
Inkers: Jay Leisten and Rachel Dodson
Publisher: Marvel Comics
Price: $3.99

Ed Brubaker is joined by his Immortal Iron Fist co-writer, Matt Fraction, and the results are immediate and obvious. I could be completely wrong, but it feels to me like Fraction is doing the heavy lifting on this issue. For one thing, there are a lot of things packed into this issue: a large cast of characters, several new story elements, a big action sequence in the middle of the book, and a fair amount of sociopolitical commentary. It reminds me much more of Fraction's very dense work on Casanova than it does Brubaker's more deliberate pacing on Captain America or Daredevil; Bru likes to give things plenty of room to breathe, whereas Fraction seems to prefer to move at a breathless pace. Then again, it could just be the fact that this issue is being used to set up a new status quo and put several storylines in motion; there's a lot going on here, and perhaps it's a bit too much. Most of the "A-list" X-Men make appearances here. There's the cast from Astonishing X-Men (Cyclops, Emma Frost, Wolverine, Beast, and Colossus), along with Storm, Angel, Nightcrawler, and Cannonball. While everybody gets a moment to shine, for most of the characters they only get a moment. Cannonball and Nightcrawler, in particular, disappear after their brief appearances in action. Cyclops and Emma get the majority of the screen time; I hope future issues will give their teammates a bit more exposure.

There are a lot of elements here that feel like pure Fraction. We have Kingo Sunen (not a new character, by the way), a Japanese auteur planning his first American movie (with an unlikely star, an ex-mutant named "Freddie Dukes" who is a weight-loss guru and a big deal in Japan - once I realized who Freddie Dukes was, I had to laugh and nod in approval), and the controversy-courting artist Guy DeMondue, whose Sentinel-based art display provides the platform for the main action in this issue. Those are the kind of pop-culture references I associate with Fraction. If it sounds like I'm being dismissive of Brubaker's contributions, I'm really not, but this book just feels very different than the rest of Bru's run. Being a big fan of Fraction's writing, it was a very welcome and refreshing addition. In many ways, Fraction reminds me of Grant Morrison - there are tons of crazy ideas popping up on the pages of his books, with a strong sci-fi flavor. Sometimes, the ideas don't always gel, but when they do, it can be magical.

The much-hyped new direction for the team, however, doesn't really feel that new. Other than a change of locale to San Francisco, the new X-headquarters seems to be offering the same thing that the Xavier Institute did in Morrison's run: a public safe haven for any and all mutants. The open-arms welcome that the X-Men get from the city of San Fran and it's mayor, complete with human protestors arguing for the mutants, also reminds me of the "mutants are the new cool" themes from New X-Men.

I had been wondering if the X-Men would run across the Dreaming Celestial now that they're in the Bay Area. Well, they do, and...what's that, you say? What's the Dreaming Celestial? Well, if you didn't read the Eternals miniseries from Neil Gaiman and John Romita, Jr. or the brand-new ongoing Eternals series, you'll probably be a little lost. Unfortunately, Fraction and Brubaker don't provide any explanation here. The Celestial just...is. Given that the Eternals and the Celestials are new additions to the world of the X-Men, some explanation would have been nice. I know that expository dialogue is taboo, and I'm not calling for a return to the wordiness of Claremont, but a few well-scripted narrative panels would have been a blessing here. Given that the Celestial first appears in one small panel (breaking Kirby Rule #33: the Celestials must never appear small!), a big splash page of the Celestial in all of its glory, with a few expository panels, would have worked. It also would have been a good idea to have a few word balloons explaining just who the High Evolutionary is, and why in the hell he's hanging out with the Big Bad Villain of this issue, tinkering around with the Dreaming Celestial. Yes, the High Evolutionary did appear briefly in the "Endangered Species" story, but for the most part he, like the Celestials, isn't a part of the X-Men mythos, and his inclusion here seems odd, especially given the rather casual reaction to the X-Men upon seeing him. Even a simple "The High Evolutionary? What's HE doing here?" would have helped. But I'm nit-picking just a bit, as I did like this issue more than I have the past several.

While I was happy with the writing on this issue, I was less thrilled with the artwork. Neither Greg Land nor Terry Dodson is a personal favorite of mine (although I certainly don't hate either's work). The biggest problem I have is that their styles simply don't mesh well. Land uses a photo-realistic style where Dodson favors a more traditional penciling approach, with a dash of cartoony style. If the two are planning to alternate story arcs in the future (I believe they are), it won't be a problem, but here it makes for a jarring stylistic transition; the fact that the two share individual chapters, instead of alternating, only compounds the problem.

While I'm fairly neutral to Terry Dodson's work, I find Greg Land much more frustrating. I say "frustrating" because I remember him as an outstanding penciller in his DC days, and his current Photoshopping approach simply doesn't work for me. If you look at the image to the right, notice the very awkward placement of Emma's hand in the top panel; is that hand growing from somewhere off-panel? Because it sure doesn't seem like it could be attached to her body. There are several other shots throughout the book with strange poses and oddly cobbled-together images, and a rather surprisingly bloated-looking Scott Summers on page 31.

Land also seems to be obsessed with having his characters smiling. A lot. As in, "dosed with Joker Gas" smiling. See the image to the left for an example. Yes, those people are at a party in that scene; but it's also representative of a very standard "go-to" expression that Land uses far too often. I just find it really unnatural and distracting. There's also a scene where the X-Men react to the news of DeMondue's exhibit with outrage; Brubaker and Fraction nail Emma's dialogue in this scene but Land does them a disservice with the wrong choice of facial expression, opting for anger instead of what reads like bored disdain. Land does handle his action sequences very well though; the battle between the Big Bad Villain and the X-Men is very well handled and makes me long for a simpler style from Land. Most of the time, Land's work is very pretty to look at, but that doesn't mean it works as a means of storytelling, which is the primary purpose of comic book art.

Oh, and the Big Bad Villain? Yeah, it's Magneto, making a return to the pages of Uncanny X-Men with a big splash. I loved the way he made the scene during the party; it felt like the Magneto I grew up with in the 1970s. Throughout the battle, it did feel like something was a little bit off...I was actually expecting him to be revealed as an imposter (especially since he was depowered on M-Day). Well, there was a reason for it...something wasn't quite right with Magneto. His alliance with the High Evolutionary, and their plans involving the Dreaming Celestial, are shrouded in mystery and should make for a great storyline going forward.

So what's the final verdict? Well, despite some minor complaints with the writing and some more serious misgivings about the artwork, I found quite a bit to like in this issue. Fraction's sly wit and potential for great ideas, coupled with Brubaker's rock-solid story sensibilities (the two struck gold on the aforementioned Iron Fist series), give me great faith that this book is in good hands on the writing side. There were a lot of seeds planted here which should pay off in the months to come. Heck, I didn't even mention the new Hellfire Cult until now! Since I read comics more for the writing than for the artwork, I can certainly live with both Land and Dodson, even if neither would be my first choice. So, while I'm hoping that my grades on this series will eventually improve, I'm giving this issue...

Grade: B


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